8/6/2023 0 Comments Reikey mac reviewIn fact, Daisy and Billy make each other better musicians. When record producer Teddy Price (Tom Wright) introduces her to the Pittsburgh brothers’ band The Six, and their seductive yet tyrannical older-bro/lead singer Billy Dunne (“The Hunger Games’” Sam Claflin, riveting both in anger and amorous glances), they make beautiful music together. ![]() Given that twisted family dynamic, she mistrusts everyone - most of all herself. She’s prone to wearing short-shorts and floaty tunics (it’s impossible not to think of Stevie Nicks in all her breathy seductive hippiness). For more details, click here.‘Daisy Jones & the Six’ Trailer: Riley Keough Rocks Out in Prime Video Series Adaptation of Best-Selling Book (Video)ĭaisy Jones is a rich Angeleno noodling on songs and struggling to find her self-worth in the shadow of a crappy mother-daughter relationship. The Man Who Fell To Pieces was at The MAC, Belfast, until February 11th. It feels like a cheat to not get an ending inasmuch as a playwright’s note detailing the play’s origins, leaving its departure, through performance, a frustrating mystery. Unfortunately, the writing itself comes in short. O’Reilly’s play is less interested in blame, making for a fresh acknowledgement of people’s limitations. “I’m a good mom,” she says with determination. But the play is most compassionate to Alice, an abandoned wife who, in Connolly’s freighted performance, can only tend to so much. By virtue of being a chiselled man, Henry, dutifully played by Buchanan, feels the pressure of putting things right. When John decides to manage his suffering himself, we see Gallagher’s Caroline careen from worries for his wellbeing to fears of being unloved. It’s admirable of O’Reilly to show others caught in the disaster zone. Blaney, affectingly unhinged and contorted in a well-controlled performance, credibly guides us to a nervous breakdown. A life-sized and stylised portrait of the character, crafted in separate panels, is creatively deployed to show body parts leaving him: a somersaulting ear a flapping torso. Those dual tensions are also in the writing in a plot woven from O’Reilly’s personal history, John (Shaun Blaney) steps in from the side, fully-formed, explaining that we are seeing is an imaginative version of events that happened.įrom here we trace John’s depression back to his unhappy and phoney job in a telesales office – itself a metaphor for reticence. Ciaran Bagnall’s domestic set, with jutting beams exposed and paint unfinished, certainly suggests a meeting point for construction and deconstruction. There might be something to be gained from examining the wreckage. Vigorously directed by O’Reilly to even find time for a cartoonish title sequence, this is a surprisingly upbeat approach to mental illness. But if that seems a meaningless endeavour, the play may be accepting that some things are beyond usual repair. They call in a handyman, Henry (Patrick Buchanan), to fuse him back together with adhesives. We find John’s mother Alice (Maria Connolly) and fiancé Caroline (Roisin Gallagher) panicking over his collapse. The premise for Tinderbox Theatre’s new production is quite absurd. O’Reilly’s new physical play, showing a depressed young man pushed to breaking point. Reduced to a rubble of body parts and gathered into a carrier bag, John has literally fallen to pieces. ![]() The Man Who Fell To Pieces, The MAC, Belfast.
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